仇恨塞满了荧幕的每一寸空间。

并没有想象当中的好，唯一的泪点是那条狗死的时候。其实，我身边能说出很多故事，比这个男孩更加奇迹。总体上，小浪货高H-活色生仙H这个电影展现了美国中产阶级的价值观，并且似乎在暗示，有缺陷的孩子，既聪明又善良，有问题一定是别人的，然而，事实往往并非如此。主人公小孩，其实备受家人照顾，备受校长老师关爱…

斯皮尔伯格的猛兽经典，那年恐龙还没有孵出，这水中妖孽可不能小看。三人猎鲨队，着一小船驱之，浮桶为信，几次三番，鲨鱼主攻，船倾险危，看那血盆大口，背后来袭，阵阵凉意，船长失了足，齐腰入了口，惨难忍，时不待，气罐加步枪，不怕你不粉身碎骨，血肉横飞！

非常好的电影，轻松、丰富、饱满，全程无尿点。逻辑关系严谨，该交代的都交代了。只是看到了过去香港电影的copy确实太过分了，HK的东西几乎，小浪货高H-活色生仙H几乎没有自己的东西。电影、音乐皆如此。

Challenge of the day: name a more memorable, instantly recognizable movie. I’d stake my bets with this. Though Steven Spielberg’s idea of cinema may not fulfill those who have tasted something more subtle & delicate, I still believe it deserves our attention and praise. Sure enough, he pours out the money and goes for the spectacular, thus making the experience of the thriller a simpler, more accessible affair to be shared by the many - if not too gratifying at times given the stakes. But is it at the cost of the story, dialogue, characters, or cinematography? Certainly not in Jaws. The trick is to build in different pieces & layers of meaning, each viewer pulling in his own haul of fish.